Showing posts with label All Must Have Prizes. Show all posts
Showing posts with label All Must Have Prizes. Show all posts

Wednesday, 20 January 2016

Hollywood Babble On & On #1260: Why The Oscars Are So White...

With the Oscar nominations out comes the traditional complaining about how weirdly unfair the nominations seem to be.

For the second year in a row all of the acting nominees are white, marking the return of the #OscarSoWhite and #OscarsSoWhite hashtags on twitter as well as threats of boycotts from several prominent black entertainers.
They do have a case. Several African American actors like Michael B. Jordan, and Samuel L. Jackson, and the cast of Straight Outta Compton have put out performances that critics and audiences have considered Oscar worthy. Also the African American directors F. Gary Gray and Ryan Coogler were snubbed even though their films, Straight Outta Compton and Creed, had excellent box office, reviews, and Oscar buzz.
So, why all the snubbing?
Do the Academy members meet around a big table and declare a moratorium on African Americans getting nominations?
Are the individual Academy members so riddled with hate for non-white people they can't bring themselves to nominate African-Americans?
The answer to both questions is: No.
The cause isn't hatred.
The cause is blindness.
You see the Academy members are predominantly older (average age 67), predominantly white, and predominantly politically liberal. 
They are the generation that came of age in the 1950s and 1960s and they see literally EVERYTHING through that lens.
Which brings us to the reasons why Creed and Straight Outta Compton were mostly snubbed: They didn't look like "black films" to the Academy voters.
For someone in the very rarified demographic of an Academy Voter Straight Outta Compton and Creed look radically different from the way everyone else saw them. To an Academy Voter Straight Outta Compton was just a showbiz biopic about a kind of music they don't like, but don't dare admit to not liking, for fear someone will call them racist. 

They also saw Creed as just a sports movie and a comeback vehicle for a previous nominee who has been below their precious radar since the first time he played his signature character.
No one in Compton or Creed are brutalized slaves in the pre-Civil War South, or led Civil Rights marches in the 1960s, or ended up on death row because of a racist justice system manned by white men with heavy southern accents. If they were, then they'd all be up for Oscars, because to Academy voters those are Oscar worthy African-American movies. Instead, the movies featured African-Americans using talent and hard work to succeed in America, and, to various degrees, doing just that.
No martyrs, no Oscar nominations because the Academy just cannot accept them as telling a "sincere" or "real" African-American story, because they lay outside their narrow field of vision.
There is a way to use the Academy's narrow vision to get nominations and awards.
Bryan Cranston was nominated for playing blacklisted screenwriter Dalton Trumbo in Trumbo, a film whose sole purpose was to get Cranston an Oscar nomination and to do that, it followed a carefully structured formula. 
It was a story about Hollywood, and Academy voters love navel gazing.
It has a martyr, Dalton Trumbo, albeit a Hollywood kind of martyr, who was blacklisted for his politics. For those who don't know, blacklisting meant that he was forced to write screenplays for less money under pseudonyms.
It has a politically acceptable villain, chiefly right-wing American politicians who didn't care for Trumbo's love of the Stalin regime.
It's a perfect white man's Oscar bait film, and it could be performed entirely in gibberish with falsetto voices by a cast wearing clown make-up, it would still get at least one nomination.
Now you're probably sitting in front of your computer or tablet, furrowing your brow and thinking "What about Will Smith in Concussion?"
If the Academy thinks like me, they probably looked at the trailer for Concussion and thought: "Denzel Washington or Idris Elba would have knocked that out of the park. Will Smith just seems too fluffy, to 'movie star' to pull it off." Then they'd see what else was on.

Those are my theories, what are yours?

Friday, 15 January 2016

Hollywood Babble On & On #1259: It's Oscar Time...

Here's the list of Oscar nominations with my commentary possibly coming later...

Best Picture

“The Big Short” 

“Bridge of Spies” 

“Brooklyn” 

“Mad Max: Fury Road”

“The Martian” 

“The Revenant”

“Room”

“Spotlight”

Best Actress in a Leading Role

Cate Blanchett, “Carol”

Brie Larson, “Room”

Jennifer Lawrence, “Joy”

Charlotte Rampling, “45 Years”

Saoirse Ronan, “Brooklyn”

Best Actor in a Leading Role

Bryan Cranston, “Trumbo”

Matt Damon, “The Martian”

Leonardo DiCaprio, “The Revenant”

Michael Fassbender, “Steve Jobs“

Eddie Redmayne, “The Danish Girl”

Actress in a Supporting Role

Jennifer Jason Leigh, “The Hateful Eight”

Rooney Mara, “Carol”

Rachel McAdams, “Spotlight”

Alicia Vikander, “The Danish Girl”

Kate Winslet, “Steve Jobs“

Actor in a Supporting Role

Christian Bale, “The Big Short”

Tom Hardy, “The Revenant”

Mark Ruffalo, “Spotlight”

Mark Rylance, “Bridge of Spies”

Sylvester Stallone, “Creed”

Best Director

Adam McKay, “The Big Short”

George Miller, “Mad Max: Fury Road”

Alejandro G. Inarritu, “The Revenant”

Lenny Abrahamson, “Room”

Tom McCarthy, “Spotlight”

Visual Effects

“Ex Machina”

“Mad Max: Fury Road”

“The Martian”

“The Revenant”

“Star Wars: The Force Awakens”

Best Documentary Feature

“Amy”

“Cartel Land”

“The Look of Silence”

“What Happened, Miss Simone?”

“Winter on Fire: Ukraine’s Fight for Freedom”

Best Documentary Short Subject

“Body Team 12”

“Chau, Beyond the Lines”

“Claude Lanzmann: Spectres of the Shoah”

“A Girl in the River: The Price of Forgiveness”

“Last Day of Freedom”

Editing

“The Big Short”

“Mad Max: Fury Road”

“The Revenant”

“Spotlight”

“Star Wars: The Force Awakens”

Production Design

“Bridge of Spies”

“The Danish Girl”

“Mad Max: Fury Road”

“The Martian”

“The Revenant”

Best Original Score

“Bridge of Spies”

“Carol”

“The Hateful Eight”

“Sicario”

“Star Wars: The Force Awakens”

Best Foreign Language Film

“Embrace of the Serpent,” Colombia

“Mustang,” France

“Son of Saul,” Hungary

“Theeb,” Jordan

“A War,” Denmark

Best Original Screenplay

“Bridge of Spies”

“Ex Machina”

“Inside Out”

“Spotlight”

“Straight Outta Compton”

Best Adapted Screenplay

“The Big Short”

“Brooklyn”

“Carol”

“The Martian”

“Room”

Best Original Song

“Earned It” from “Fifty Shades of Grey”

“Manta Ray” from “Racing Extinction”

“Simple Song No. 3” from “Youth”

“Til It Happens To You” from “The Hunting Ground”

“Writing’s on the Wall” from “Spectre”

Achievement in Makeup and Hairstyling

“Mad Max: Fury Road”

“The 100-Year-Old Man Who Climbed out the Window and Disappeared”

“The Revenant”

Best Animated Feature

“Anomalisa”

“Boy and the World”

“Inside Out”

“Shaun the Sheep Movie”

“When Marnie Was There”

Best Animated Short Film

“Bear Story”

“Prologue”

“Sanjay’s Super Team”

“We Can’t Live Without Cosmos”

“World of Tomorrow”

Best Live Action Short Film

“Ave Maria”

“Day One”

“Everything Will Be Okay (Alles Wird Gut)”

“Shok”

“Stutterer”

Best Cinematography

“Carol”

“The Hateful Eight”

“Mad Max: Fury Road”

“The Revenant”

“Sicario”

Achievement in Sound Mixing

“Bridge of Spies”

“Mad Max: Fury Road”

“The Martian”

“The Revenant”

“Star Wars: The Force Awakens”

Achievement in Sound Editing

“Mad Max: Fury Road”

“The Martian”

“The Revenant”

“Sicario”

“Star Wars: The Force Awakens”

Best Costume Design

“Carol”

“Cinderella”

“The Danish Girl”

“Mad Max: Fury Road”

“The Revenant”

Thursday, 15 January 2015

Hollywood Babble On & On #1210: Oscar Nomination Snark Attack!!

The Oscar nominations are out, and here's the list with my snarky commentary.

Film
"American Sniper" - Unlikely to win for being too "right wing" but Academy voters don't want Clint Eastwood to kick their ass, so they're going to at least nominate the movie.

"Birdman or (The Unexpected Virtue of Ignorance)" - Academy voters love a comeback story and this is Michael Keaton's show. However, they might give him an acting trophy and pass on the best picture.

"The Grand Budapest Hotel" - It's nominated because it looks and sounds like it should be an Oscar nominee, but Academy voters think Wes Anderson is too fucking twee to win.

"The Imitation Game" - Front-runner, because it's a costume drama biopic of a dead British guy who did great things, and was oppressed for being gay. The last thing the Academy wants is Harvey Weinstein calling them homophobes during the run up to the final vote.

"Selma" - Nominated to avoid accusations of racism, but won't win because the film dared to bad-mouth LBJ, and most Academy voters were also LBJ voters back then.

"The Theory of Everything" - Second runner, might win if Hawking dies between now and the final vote, or if the producers can guarantee them that he'll give the acceptance speech.

"Whiplash" - Won't win.

Lead actress 
Marion Cotillard, “Two Days, One Night”

Felicity Jones, “The Theory of Everything” 

Julianne Moore, “Still Alice”

Rosamund Pike, “Gone Girl” 

Reese Witherspoon, “Wild” 

It'll be a fight between Moore and Witherspoon, with Moore having an edge since this is her fifth nomination without a win, and Witherspoon won for Walk The Line. 

If there's a vote split it won't go to Cotillard, because she dropped some 9/11 truther talk a while back, and Pike's movie was too commercial, so Felicity Jones could come right up the middle for a surprise win.

Lead Actor 
Steve Carell, “Foxcatcher”

Bradley Cooper, “American Sniper”

Benedict Cumberbatch, “The Imitation Game”

Michael Keaton, “Birdman or (The Unexpected Virtue of Ignorance)”

Eddie Redmayne, “The Theory of Everything" 

Michael Keaton has an edge, but there's still time for Harvey Weinstein to threaten to call the Academy homophobic if Cumberbatch doesn't win for playing a gay character, even if they sanitized most of Turing's gayness out of the movie.

Director
Alejandro G. Iñárritu, “Birdman or (The Unexpected Virtue of Ignorance)” Won't win.

Richard Linklater, “Boyhood” Won't win. He's too "un-Hollywood" without being fashionably un-Hollywood.

Bennett Miller, “Foxcatcher” Won't win.

Wes Anderson, “The Grand Budapest Hotel” Won't win.

Morten Tyldum, “The Imitation Game” Will win. The Academy loves movies about dead British men.

Selma director Ava Duvernay was shut out of the directing nominations. Most are criticizing the shutout as being because she's an African-American woman, but it's most likely because of the aforementioned unsaintly portrayal of LBJ, who really had opposed civil rights up until he realized he could use it for his own political advantage.

Supporting actress

Patricia Arquette, "Boyhood" - Could win, but she works mostly in TV, which Academy voters are still wildly snobby about.

Laura Dern, "Wild" - If she wins and Reese Witherspoon doesn't, Witherspoon will strangle her on stage.

Keira Knightley, "The Imitation Game" - Too young and pretty to win.

Emma Stone, "Birdman or (The Unexpected Virtue of Ignorance)" Meryl Streep, "Into The Woods" - Too young and pretty to win.

Supporting actor 

Robert Duvall, "The Judge" - Past winner, curmudgeon. Odds are about even.

Ethan Hawke, "Boyhood" - Slim chance.

Edward Norton, "Birdman or (The Unexpected Virtue of Ignorance)" - Better chance, the Academy seems to like him.

Mark Ruffalo, "Foxcatcher" - Won't win because he does The Avengers now.

J.K. Simmons, "Whiplash" - If there's going to be a surprise winner, it'll be Simmons who is probably one of the best character actors working today.

Animated feature film 

"Big Hero 6" 

"The Boxtrolls" 

"How To Train Your Dragon 2" 

"Song of the Sea" 

"The Tale of the Princess Kaguya" 

Documentary feature 

“CitizenFour” - Front runner if the director promises to blame Bush during their acceptance speech.

“Finding Vivian Maier”

“Last Days in Vietnam”

“The Salt of the Earth”

“Virunga” 

Documentary short subject 

“Crisis Hotline: Veterans Press 1” “Joanna”

“Our Curse”

“The Reaper (La Parka)” 

“White Earth” 

Foreign language film

“Ida” (Poland) 

“Leviathan” (Russia) - Will win if Putin threatens to annex Beverly Hills.

“Tangerines” (Estonia) 

“Timbuktu” (Mauritania) 

“Wild Tales” (Argentina) 

Adapted screenplay 

Jason Hall, “American Sniper” - Won't win.

Graham Moore, “The Imitation Game” - Might win.

Paul Thomas Anderson, “Inherent Vice” Anthony McCarten, - Won't win, Academy voters don't "get it"

“The Theory of Everything” Damien Chazelle, - Might win.

“Whiplash” - Wasn't even an adapted screenplay.

Original screenplay 

Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr. and Armando Bo, “Birdman or (The Unexpected Virtue of Ignorance)”

Richard Linklater, “Boyhood” - Might win because they love it when someone takes their time.

E. Max Frye and Dan Futterman, “Foxcatcher” - Might win as consolation for being shut out of everything else.

Wes Anderson (screenplay), Wes Anderson and Hugo Guinness (story), “The Grand Budapest Hotel” 

Dan Gilroy, “Nightcrawler” 

Animated short film 

“The Bigger Picture” “The Dam Keeper” “Feast”

“Me and My Moulton” “A Single Life” 

Live action short film 

“Aya”

“Boogaloo and Graham”

“Butter Lamp (La Lampe au Beurre de Yak)” “Parvaneh”

“The Phone Call” 

Makeup and hairstyling 

“Foxcatcher,” Bill Corso and Dennis Liddiard

“The Grand Budapest Hotel,” Frances Hannon and Mark Coulier 

“Guardians of the Galaxy,” Elizabeth Yianni-Georgiou and David White - Will win.

Original score 

“The Grand Budapest Hotel,” Alexandre Desplat 

“The Imitation Game,” Alexandre Desplat 

“Interstellar,” Hans Zimmer

“Mr. Turner,” Gary Yershon 

“The Theory of Everything,” Jóhann Jóhannsson

Zimmer and Desplat will fight for it.  

Original song 

“Everything Is Awesome” in “The Lego Movie”

“Glory” in “Selma” - Selma's consolation prize for being shut out of everything else for being mean to LBJ.

“Grateful” in “Beyond the Lights”

“I’m Not Gonna Miss You” in “Glen Campbell ... I’ll Be Me” 

“Lost Stars” in “Begin Again” 

Cinematography 

“Birdman or (The Unexpected Virtue of Ignorance),” Emmanuel Lubezki - The film's really long takes might be seen as enough of a challenge to get him the trophy.

“The Grand Budapest Hotel,” Robert Yeoman 

“Ida,” Lukasz Zal and Ryszard Lenczewski

“Mr. Turner,” Dick Pope 

“Unbroken,” Roger Deakins 

Costume design 

“The Grand Budapest Hotel,” Milena Canonero 

“Inherent Vice,” Mark Bridges - Too many Academy voters have similar outfits in their closet. Won't win.

“Into the Woods,” Colleen Atwood 

“Maleficent,” Anna B. Sheppard and Jane Clive

“Mr. Turner,” Jacqueline Durran

Film editing 

“American Sniper,” Joel Cox and Gary D. Roach 

“Boyhood,” Sandra Adair

“The Grand Budapest Hotel,” Barney Pilling 

“The Imitation Game,” William Goldenberg 

“Whiplash,” Tom Cross 

Sound mixing 

“American Sniper,” John Reitz, Gregg Rudloff and Walt Martin

“Birdman or (The Unexpected Virtue of Ignorance),” Jon Taylor, Frank A. Montaño and Thomas Varga 

“Interstellar,” Gary A. Rizzo, Gregg Landaker and Mark Weingarten

“Unbroken,” Jon Taylor, Frank A. Montaño and David Lee

“Whiplash,” Craig Mann, Ben Wilkins and Thomas Curley 

Sound editing 

“American Sniper,” Alan Robert Murray and Bub Asman

“Birdman or (The Unexpected Virtue of Ignorance),” Martín Hernández and Aaron Glascock 

“The Hobbit: The Battle of the Five Armies,” Brent Burge and Jason Canovas

“Interstellar,” Richard King

“Unbroken,” Becky Sullivan and Andrew DeCristofaro 
Production design 

“The Grand Budapest Hotel,” Adam Stockhausen (production design) and Anna Pinnock (set decoration) - Front runner.

“The Imitation Game,” Maria Djurkovic (production design) and Tatiana Macdonald (set decoration) 

“Interstellar” Nathan Crowley (production design) and Gary Fettis (set decoration)

“Into the Woods” Dennis Gassner (production design) and Anna Pinnock (set decoration)

“Mr. Turner” Suzie Davies (production design) and Charlotte Watts (set decoration) 

Visual effects 

“Captain America: The Winter Soldier,” Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick 

“Dawn of the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist 

“Guardians of the Galaxy,” Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould 

“Interstellar,” Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher

“X-Men: Days of Future Past,” Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

Doesn't matter who wins, they'll all be bankrupt before the next Academy Awards.

By the way.