Showing posts with label Musical Musings. Show all posts
Showing posts with label Musical Musings. Show all posts

Monday, 29 August 2011

Hollywood Babble On & On #792: Three Little Thoughts From A Very Big Brain

CLOONEY CRIES UNCLE OVER U.N.C.L.E.

George Clooney has dropped out of Steven Soderbergh's upcoming film
The Man from U.N.C.L.E. for Warner Bros.

For those who grew up caves
The Man From U.N.C.L.E. was a TV series in the 1960s that capitalized on the "spy mania" created by the success of the James Bond movies, and even had some input during development by Bond creator Ian Fleming. The show was about two secret agents, American Napoleon Solo, and Soviet Russian Illya Kuryakin battled threats from global power-mongers T.H.R.U.S.H.

Soderbergh seems keen on bringing it to the big screen, and if Clooney isn't keen on joining him, then he's either thicker than two short planks, and thinks that he has enough money to maintain his lifestyle for the rest of his life.

Why?

Well, outside of the
Ocean's 11 movies, which were sugar coated confections made by Soderbergh, you'd be hard pressed to find many George Clooney films crossing that $100 million mark that is necessary to be considered an "A-List movie star," and cash the obese checks he gets for movies far too few people see. Even the last Ocean's movie cost so damn much it still failed to profit despite the big box office, but that's another story.

Clooney needs to do the movie, he needs a Brad Pitt, or equivalent to play his partner, and he needs something people will actually pay money to see. He ain't getting any younger and villas in Italy aren't cheap to keep up ya know.

WANNA DANCE DIRTY?

Lionsgate has hired a writer to reboot the 1987 indie hit Dirty Dancing.

Should be as big as Dirty Dancing: Havana Nights!

Or the Dirty Dancing TV series, which lasted half a season before the network realized that nobody watched it.

Does anyone see what I'm getting at here?

The original film was a lightning in a bottle moment, a tiny, cheaply made movie, that caught on big time. It was the right film with the right attitude at the right time. Attempts to replicate its success on TV and the big screen have all met ignominious failure.

So why keep trying?

Because Hollywood is so scared of trying anything new, they will accept guaranteed failure, because then they can pass the blame onto their market research when it tanks.

MTV SCORES BIG

The MTV Network, home of
The Jersey Cold Sore Shore scored major ratings with the live Video Music Awards last night. In fact, they were the biggest ratings the network has ever seen.

You know, such success might lead MTV into a bold new direction.

Imagine, a cable channel dedicated entirely to music, and music related programming. I'm talking all kinds of genres, styles, music videos, concert specials, you name it.

I think there used to be a channel that did that a long time ago, but it's long dead, and I think MTV can fill this gap.

Wednesday, 16 December 2009

Hollywood Babble On & On #416: Not Clever/Clever

Welcome to the show folks...

CAPITOL SPENDS CAPITAL ON COURT

When I have those dark tea-times of the soul where I wonder if the movie industry is the worst run industry in the world, I just step back, look at the music industry and realize that movies are only the second worst run industry in the world.

The same industry that brought us the eternally wonderful format of the 8-track, has fallen to its default position when it comes to running their business, the pointless lawsuit.

The latest exercise in lame litigation is over this video and others like it:


Apparently Capitol Records considers people making videos "lip-dubbing" to songs copyright infringement, and are suing the user-created video site Vimeo, because they blame the site and its parent company for starting the fad.

I have my personal beefs with the music industry* but I think I can put my bitterness aside and offer an objective, nay clinical, view of the whole thing and boil it down to its essence.

THE MUSIC INDUSTRY IS STUPID!

It really is. They failed to capitalize on just about every advance in audio/video technology since Edison unveiled his first wax cylinder recording of
Shine On Harvest Moon, and they sued him because they thought it would hamper sales of sheet music. They literally had to be dragged kicking and screaming into the 21st century, and they still don't know what to do with it.

Now the record industry will tell you that the videos they are enriching lawyers over are the cusp of the slippery slope of music piracy.

Guess what music industry, there is no slippery slope, it's a cliff, and you fell over it about ten years ago. In fact, I'm pretty sure the impact has driven the industry's collective head up its collective ass. They still fail to see the fact that the main motive behind music piracy is the notion that it's a victimless crime, because they believe they're stealing from some big faceless corporation that artificially inflates the price of music while screwing and suing the artists out of their royalties, and stunts like this don't do much to dissuade this image.

The "screw and sue" image also blinds the music industry to opportunities.

I have to agree with the article's author, Dylan Stableford, and say that these "lip dub" videos are not piracy.

They are
FREE ADVERTISING.

Millions will see these videos online, and if 10% actually go out and buy the song, that means hundreds of thousands of extra sales that may not have happened because folks sure aren't going to see one of the official music videos on MTV.

What the record companies should have done was team up with a TV channel and hold a "lip dub" reality show contest, where teams can win money, concerts by the bands in question, or some other lame ass prizes. I'm sure Paula Abdul could use the work as a celebrity judge. Slant the finalists to the back-list, and you can unload a lot of product that's just sitting and gathering digital dust.

Goddamn it music industry, opportunity knocks, and you go and sue the knocker.

And that internet company's owned by Barry Diller, who has some sharp elbows and will make any fight cost them big time.

Dumb, dumb, dumb.

Anyway.... here's me saying something nice about someone.

RUPERT MURDOCH IS A MAGNIFICENT BASTARD

Yep he really is, and the big clue is this story at Deadline Hollywood Daily.

For those to lazy to click the link it says that the Wall Street Journal, which is the biggest newspaper in the country right now, has switched over their representation from Creative Artists Agency, over to United Talent Agency. (Possibly because UTA still validates parking)

Now you're probably wondering why a newspaper needs a Hollywood agent, well it's simple. Newspapers carry stories, stories can be made into movies, and agents negotiate a price for those stories.

Now you're probably wondering why a newspaper owned by a man who already owns a movie studio, a TV network, and numerous cable outlets would want one of their newspapers to have a talent agency to negotiate prices with other studios.

That's because Rupert Murdoch has a cunning plan.

Think about it, media conglomerate synergy is all about taking material from one outlet and using it cheaply through other outlets. But sometimes another company will pay more money for the same material, then the original company gets to put the financial screws to their rivals, and then get those same rivals to pay them all over again for advertising space with those same newspapers and TV channels.

Rupert Murdoch, you are a magnificent bastard, and for that I salute you.