GOOD IDEA
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Personally, I'm all for artists taking serious control of their work, and forging their own destiny. It's something Parker and Stone probably need to do since their usual home Paramount Pictures is not only producing fewer and fewer movies, signing off home video management of over 600 Paramount titles to Warner Home Video, and recently had to settle a lawsuit filed by one of their big financial partners. That's the behaviour of a movie company that doesn't seem to have all that much interest in movies these day.
So good luck to Parker and Stone, and a little advice, just because you're calling it a studio, doesn't mean you have to run it like a studio.
BAD IDEA
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They're now offering a new contract where the writers who research and write the stories they publish now have to option the film/TV rights to Conde Nast, for essentially a spoonful of peanuts, and if Conde Nast gets a studio to make the movie, the writer gets another spoonful of peanuts.
This means that the big name journalists with track records will most likely be taking their pieces to other publishers who won't include the taking of movie rights for ridiculously low pricing. Thus Conde Nast has to face the loss of the people who can attract readers in an already hard magazine market, and only attract the unknown and the desperate.
Who came up with this brain-fart? James Frey?
I wouldn't be surprised to see more and more publishers doing something like that.
ReplyDelete"The Book of Mormon" = Baseketball
ReplyDeleteWhat goes down in NY when a Mormon Republican is running for President isn't going to move the needle in flyover land after the election.
Conde Nast screwing writers is a short trip to bankruptcy court.